"Diamonds in the Rough"


Author's Note:  This page is under construction.  I have added some close-up pictures of the quilting, but the picture quality isn't as good as I would like.  I'll replace them with some better pictures once I get the quilt back from the Colorado State Fair in early September.
 
The working title for this quilt was "Diana's horse quilt" because the colors were inspired by an awesome Timeless Treasures print of gray, black, white and brown horses running through a blue mist.  I bought a couple of yards of this fabric because my daughter Diana loves horses, but I didn't end up using it in the border of the quilt as I had planned, because it was just too busy for the effect that I wanted.  I did use it for part of the backing though. Timeless Treasures horse fabric, purchased in early 2000
Timeless Treasures horse fabric

 

I started this quilt in March of 2000.  I loved the colors of the horse fabric and thought I'd try Carol Doak's "Easy Stash Quilts" technique of selecting many coordinating fabrics from my stash for the quilt.  (Of course, that didn't stop me from buying more fabric to use in it!)
 
 
EQ4 design, March 2000

EQ4 design, March 2000

Modified Arkansas Snowflake block
Arkansas snowflake block (modified)
Modified 54-40 or Fight block
54-40 or Fight block (modified)

EQ4 drawing with cut out fabric pieces for the top
EQ4 drawing with cut out fabric pieces for the top

I designed the quilt using EQ4.  The center of the quilt is made of alternating Arkansas Snowflake and 54-40 or Fight blocks (I did modify the blocks a bit).  I wanted a gradation of value and intensity as the eye works out from the center of the quilt.  This effect was lost somewhat when I tried the horse fabric as the inner border, so decided to use the light fabric instead.
 
 
Trying out the horse border
Trying out the horse border
Diana with the quilt after I had decided on the light border fabric
Diana with the quilt after I had decided on the light border fabric

Because I had so many fabrics for this quilt, it took longer than normal to cut out the pieces.  The piecing was done entirely on my 1936 Singer Featherweight.  I did most of the piecing and had sewed some of the rows together during March and April, and then worked on some other things in May and June, and then came back to this quilt at the beginning of July when I decided that this would be the quilt I would try and get done in time for the 2000 Colorado State Fair judging, which was in mid-August.
 
By mid July I had finished the piecing and started the quilting.  First I quilted a line down the center of each series of stepping stone blocks.  I then quilted a curved line from corner to corner of the stepping stone blocks.  I wanted to emphasize the "curve" effect in the quilt along the edges of the large blue and black stars, so I quilted in the ditch along the points of each star and then curved over to the bottom of the next point on the star.  I stippled outside of the stars between this quilting and the curved lines connecting the corners of the stepping stones.  Click to expand:
Quilting around stepping stones
Quilting around 
stepping stones
Click to expand:
Quilting in and around diamonds
  Quilting in and 
  around diamonds 
At this point I didn't have a clue how I was going to quilt the inside (brown and gray) stars or the borders.  A quilt store in my area was offering a class on designing feathered quilting designs by Sue Nickels, and I got the last slot in the class.  This was a wonderful class; the next day I had adapted one of Sue's designs for the inner stars and had drafted the feathered design for the light border.

I outlined the inner stars in much the same manner as I had done the outer stars, and then placed my feathered quilting design in the middle of each star.  I stippled around the outside of this design and also stippled the larger areas inside the motif, in order to set the feathers off.

Click to expand:
Inner border quilting
Inner border 
quilting
After quilting the feather design in the light border, I stippled heavily around it (and pulled an all-nighter at my local quilt group's retreat in the process).  If I had known prior to sandwiching this quilt that I was going to do this quilting design on it, I probably would have experimented with Hari Walner's machine trapunto technique.  Oh well, maybe on the next quilt! Click to expand:
Quilting in corner of inner border
  Quilting in corner 
  of inner border 
Originally I had planned to quilt simple diagonal lines in the outer border.  However, it was clear that I would need to do something much more dense to keep the quilting in the border in proper proportion to the rest of the quilting on the piece.  And, after all the curvy quilting I had done, straight lines would not add to the quilt at all.  So, I adapted another of Sue's feather designs; this one still achieved the diagonal effect but was much more appropriate.  I designed the motifs in the corners and the ones in the center of each side of the dark border.  Once the feather designs were quilted in this border, I went back and stippled in the spaces between them.  (I had to pull another all-nighter for this, as it was one day before the deadline for delivering the quilt for judging in the state fair!)  Click to expand:
Quilting in outer border
  Quilting in outer 
  border

The quilting on this quilt is done in various colors of Sulky metallic threads (peacock blue, copper, silver, and a variegated thread that has all three colors in it).  The stippling in the borders was done with Sulky rayon thread (pale blue for the inner border, and a medium royal blue for the outer border).  The bobbin thread is quilting weight Mettler, light blue.  I didn't have enough of the horse fabric for the backing so I used a wide strip of the dark blue border fabric on either side of the horses, and the quilting shows up nicely on the back with that light blue thread.

Finished dimensions of this quilt are 75" x 95".  The batting is Quilter's Dream Cotton.

My good friend Teresa Creech decided I had no business driving 150 miles on no sleep, so she came with me on the trip to the state fairgrounds.  Since she was driving, I was able to sew the binding on in the car.  We delivered the quilt with about an hour to spare, and stayed overnight so that I could attend the judging the next day.
 
Click to expand:
Judging the quilt during the consideration for Best of Show
Judging the quilt 
during consideration for 
Best of Show
This quilt was entered in the "Original design" category, which was the first to be judged.  Teresa and the kids we brought went to breakfast after they dropped me off, and when they were getting ready to announce the winners, I called her so she could listen in on the results.  Thank goodness for cell phones!  The quilt won first place in its category.

After watching the judging all day, all of the blue ribbon winning quilts were judged again for "Best of Show".  There were several really nice quilts, including a gorgeous hand quilted white on white quilt that I thought was the sure winner.  But, they picked my quilt!

Click to expand:
A full view of the quilt during the Colorado State Fair judging
A full view of the quilt 
during the Colorado 
State Fair judging

Click to expand: 
The quilt on display at the 2000 Colorado State Fair
  The quilt on display 
  at the 2000 Colorado 
  State Fair 
    Click to expand:
Closeup of awards and border quilting
    Closeup of awards and
    border quilting 

 
 

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